Presudeos

I included the 3:00 timestamp because I think the timbre of the track starts to become interesting at this point. The rhythm in this section is actually quite slow, relying almost entirely on the richness of the timbre, there’s a beauty to how it wraps around you and then suddenly unfolds.

Alon Mor is a music producer with an exceptional talent for sound design. This track is probably his most popular one, which is why I chose to recommend it. That said, my personal favorite is actually the next one, Neolithic Fantasies. It’s a bit more intricate, though perhaps it doesn’t deliver the same immediate impact as the first track. Neolithic Fantasies is the kind of piece you can listen to repeatedly. It feels like an intricate web of evolving timbres, constantly moving forward. I love it! If you find Presudeos interesting, don’t miss out on this one. The sound design is incredible.

Lastly here’s a snippet from his interview:

As a little boy, I used to spin round and round and make noises while waving my hands back and forth in the air. Everybody called it “explosions.” But they didn’t understand me; they just laughed and let me do it without asking too many questions. They figured it must be a passing phase. I remember them asking me: “Alon, will you still be making explosions when you’re twenty?” And I always replied, “Yes, looking for a way to retrieve my focus.”

I remember what those “explosions” were. It was my imagination expressed in the most liberated way I could come up with at the time. I would run in circles, making sounds, as I conjured up music, stories, films, and abstract ideas in my mind. I created worlds and imagined scenes. I would think, pretend, imagine, and let my thoughts run wild.

In fact, I have never stopped making “explosions.” The only difference is that today, everyone can hear them.